Tag Archives: mural

Diary of a Genius

The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world.

Comedy and Tragedy, Gilbert Bridge, Barbican Centre, City of London, EC2Y

More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view…

Petticoat Lane, Spitalfields, Tower Hamlets, E1

…whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus…

Ofra Zimbalista's Blue Men, Maya House, Borough High Street, Southwark, SE1

…the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational.

Patricio Forrester's Deptford Marbles, New Cross Road, Deptford, Lewisham, SE14

JG Ballard’s introduction to Salvador Dali’s Diary of a Genius (1974)

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English Journey

Southampton to Newcastle, Newcastle to Norwich: memories rose like milk coming to the boil. I had seen England. I had seen a lot of Englands. How many?

George Shaw's Scenes from The Passion: The Cop Shop, 1999-2000, Tile Hill Estate, Coventry, CV4

At once, three disengaged themselves from the shifting mass. There was first, Old England, the country of the cathedrals and minsters and manor houses and inns, of parson and Squire; guide-book and quaint highways and byways England…

Colchester Organ Society, Colchester, Essex, CO1

Then, I decided, there is the nineteenth-century England, the industrial England of coal, iron, steel, cotton, wool, railways; of thousands of rows of little houses all alike, sham Gothic churches, square-faced chapels, Town Halls, Mechanics’ Institutes, mills, foundries, warehouses, refined watering-places, Pier Pavilions, Family and Commercial Hotels…

Alan Howard's Black History Mural, London Road, Reading, Berkshire, RG1

…Literary and Philosophical Societies, back-to-back houses, detached villas with monkey-trees, Grill Rooms, railway stations, slag-heaps and ‘tips’, dock roads, Refreshment Rooms, doss-houses, Unionist or Liberal Clubs…

Narbi Price's Untitled See-Saw Painting, Walker Art Gallery, Liverpool, L3

…cindery waste ground, mill chimneys, slums, fried-fish shops, public-houses with red blinds, bethels in corrugated iron, good-class draper’s and confectioners’ shops, a cynically devastated countryside, sooty dismal little towns, and still sootier grim fortress-like cities.

Folkestone, Kent, CT20

This England makes up the larger part of the Midlands and the North and exists everywhere; but it is not been added to and has no new life poured into it…

Eduardo Palozzi's An Empire of Silly Statistics . . . A Fake War for Public Relations, New Art Gallery, Walsall, West Midlands, WS2

The third England, I concluded, was the new post-war England, belonging far more to the age itself than to this particular island. America, I supposed, was its real birthplace.

Fairport Convention's Unhalfbricking (1969)

This is the England of arterial and by-pass roads, of filling stations and factories that look like exhibition buildings, of giant cinemas and dance-halls and cafes, bungalows with tiny garages, cocktail bars, Woolworths, motor-coaches, wireless, hiking, factory girls looking like actresses, greyhound racing and dirt tracks, swimming pools, and everything given away for cigarette coupons.

Teignmouth, Devon, TQ14

From JB Priestley’s English Journey (1934)

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His and Hers

Jimmy: Why don’t we have a little game?

Patricio Forrester's His and Hers, Giffin Square, Deptford, Lewisham, SE8

Let’s pretend that we’re human beings, and that we’re actually alive.

From Jon Osborne’s Look Back in Anger (1956)

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