A good cover DESIGN is one that attracts more buyers and gives more pleasure. This writing is trying to pull you in much like an eye-catching picture. It is designed to get you to READ IT.

The Slits' Cut (1979)

This is called luring the VICTIM, and you are the VICTIM.

The Soft Boys' Underwater Moonlight (1980)

But if you have a free mind you should STOP READING NOW!

Tom Waits' Rain Dogs (1985)

because all we are attempting to do is to get you to read on. Yet this is a DOUBLE BIND because if you indeed stop you’ll be doing what we tell you, and if you read on you’ll be doing what we’ve wanted all along.

Townes van Zandt's Our Mother the Mountain (1969)

And the more you read on the more you’re falling for this simple device of telling you exactly how a good commercial design works.

Thomas Mapfumo & the Acid Band's Hokoyo! (1977)

They’re TRICKS and this is the worst TRICK of all since it’s describing the TRICK whilst trying to TRICK you, and if you’ve read this far then you’re TRICKED but you wouldn’t have known this unless you’d read this far.

Nic Jones' Penguin Eggs (1980)

At least we’re telling you directly instead of seducing you with a beautiful or haunting visual that may never tell you. We’re letting you know that you ought to buy this [place album format here] because in essence it’s a PRODUCT and PRODUCTS are to be consumed and you are a consumer and this is a good PRODUCT.

Allen Toussaint's Toussaint (1971)

We could have written the band’s name in special lettering so that it stood out and you’d see it before you’d read any of this writing and possibly have bought it anyway.

NWA's Straight Outta Compton (1988)

What we are really suggesting is that you are FOOLISH to buy or not buy an album merely as a consequence of the design on its cover. This is a con because if you agree then you’ll probably like this writing – which is the cover design – and hence the album inside.

Lô Borges' Lô Borges (1972)

But we’ve just warned you against that. The con is a con.

Wire's Pink Flag (1977)

A good cover design could be considered as one that gets you to buy the [album format], but that never actually happens to YOU because YOU know it’s just a design for the cover. And this is the [ALBUM FORMAT] COVER.

Arthur Russell's Another Thought (1994)

From XTC’s Go 2 (1978)

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