The painting itself was essentially completed in one breathless, three-week sprint that left Hockney’s assistant, Jean-Pierre, looking exhausted and the painter himself exhilarated. Both had grown beards; as a result Hockney slightly resembled Cézanne.
![Breathe, breathe in the air...](https://centreoftheworld.wordpress.com/wp-content/uploads/2011/10/scan0003.jpg?w=300&h=100)
“The painting had to be done in one go. Once I started, I had to carry on until it was finished,” says Hockney.
![Don't be afraid to care...](https://centreoftheworld.wordpress.com/wp-content/uploads/2011/10/scan0004.jpg?w=150&h=300)
“The deadline wasn’t the Royal Academy. The deadline was the arrival of spring, which changes things. The motif is one thing in winter, but in summer it’s one solid mass of foliage – so you can’t see inside and it’s not as interesting to me.”
![Leave, don't leave me... Look around and choose your own ground...](https://centreoftheworld.wordpress.com/wp-content/uploads/2011/10/scan00051.jpg?w=150&h=300)
From Martin Gayford’s The Bigger Picture, The Telegraph (May 2007)
Reblogged this on The Life Of Von and commented:
Trees in Spring just won’t wait!